Catalyst Book Press


More Reviews–Labor Pains and Birth Stories

From Midwest Book Review: “Maternity is more than putting on a little weight and having a baby show up nine months later. “Labor Pains and Birth Stories” is a collection of anecdotes covering the adventure and misadventure that is oncoming motherhood – as well as oncoming fatherhood. Maternity is a nine month span of joy and worry; joy because of the arrival of a new soul to the world, and worry that every little thing you do during this time could screw them up for life. “Labor Pains and Birth Stories” is a fine choice for future mothers, and should not be ignored by future fathers either. ”

From Ralph Magazine: Kind of an odd review, and thoroughly disagree that the best writing is at the front of the book, but here’s one quote: “We are reminded in a couple of these stories that — in a single twenty-four hour period — there are 300,000 children being born into the world. If there are two words to describe the truth of becoming a mother, one is pain; the other is waiting.”

Check out Bookslut’s provocative discussion of childbirth after reading Labor Pains and Birth Stories. A thoughtful review, not necessarily positive, and I’m certainly appreciative of the time and effort put into this one, though I disagree with the assumption that I had a political agenda and was pushing midwifery/home birth/ natural births and am opposed to cesarean sections, since well ovver half of the contributors (almost 2/3) had hospital births. But it’s true, I didn’t include a cesarean section story–nobody contributed a cesarean section story, so I had none to offer.

And here’s one from MetroActive, one of the Bay Area’s many small newspapers. (Thank you, Tania, for securing this one!) “My hope is that our child’s birth will be simple and smooth. Labor Pains and Birth Stories assures me that this is a delusional fantasy. Labor Pains and Birth Stories reminds me about pelvic exams and pitocin and epidurals and slowed heart rates and complications and death and arrrggghhh. Elisabeth Aron turns in a tear-jerking story of a stillbirth; Ann Angel writes about her teenage daughter giving a child up for adoption; and Sebastopol author Tania Pryputniewicz shows that no matter how carefully one plans for a natural, simple birth, there’s always the possibility of the dreadfully unexpected. Can’t it just be easy? Please?”

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Feminist Review

The Feminist Review has given LABOR PAINS AND BIRTH STORIES a very positive review here.

Thank you, Feminist Review, and thank you to my wonderful writers for all their hard work and for making this such a great book.

Here’s a couple of short excerpts from the review:

“With twenty-nine compelling essays of pain and strength, each glimpse these writers provide validates the awesomeness and depth of the process of pregnancy. Written from mostly women authors, Powers weaves together a tapestry of debate, conflict, joy, and uncertainty all through the common practice of story-telling our lives….Not only are the individual literary essays gifts for those seeking comfort and company in their own birthing experience; the collection as a whole can be used for critical analysis as to how the world not only accepts children, but how we treat and care for mothers as well.”

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Just Be Your Quirky Self

jessica-sexy-gun-model-2.gifI am reading Ariel Gore’s How to Become a Famous Writer Before You’re Dead because, of course, my daily angst is all about how I’m not a famous writer yet. It’s a great book. Read it. You can buy it directly from Ariel herself at Yo Mama’s Bookshop and she will make more money than if you buy it from Amazon or in your bookstore. That way, you are supporting your local artist (or not so local, if you don’t live anywhere near Portland) instead of the evil corporation that is, in this case, Three Rivers Press (a division of Random House, which is also my publisher, and WHOM I LOVE.) I love Ariel’s DIY philosphy which pervades every page of the book. She’s not saying, “Don’t go with the big presses,” she’s simply pointing out the myriad of ways (yes, Ariel, I used the word myriad!) to get your writing out into this world. 

Here’s my problem with books like this one: Now I want to be an anarchist! Now I want to create and print hip zines and declare my allegiance to the underworld! Now I want to become a radical feminist lesbian communist revolutionary and publish things that really change the world!

Only my problem is, I don’t know anybody in the underworld. Unless you count the homeless teenagers I work with every Friday afternoon in San Francisco’s Haight district.

And frankly, I’ve never been good at revolution: I was never into the punk scene; I have always been pretty straight (with some bi inklings on occasion, like when I kissed a girl on the neck and thought, “Wow, she smells really nice,” but that sure never flowered into full-on gay fruition); and unfortunately for my image, I never joined a revolutionary movement (but I am pretty damn sure I would look sexy in fatigues, holding a machine gun. SEE ABOVE & BELOW!). jessica-sexy-gun-model-copy.gif

I’m just this pacifist, who isn’t very radical about it though I kind of want to be; a truly terrible Catholic–at least, any conservative Catholic would be pretty much appalled by my viewpoints which I won’t list here for fear of appalling a number of conservative Catholics who read my blog regularly, but they’re probably all the things they’d guess at anyway, that anybody reading this would guess at; an advocate for immigrants and a lover of all things African except, of course, genocide and kleptocracies; recognized by some as a hippie, others as a lover of reggae & Afro-pop & indie music; and obsessed with studying liberation movements of all kind, especially those that link religion with Marxism, or religion with violent revolution.

Probably the weirdest thing about me is how much I like teenagers, whether they’re dorky, goth, depressed, cool, smart, not so smart, suicidal, druggies, pretend druggies, alternative, mainstream, artsy-fartsy, science-geek, etc etc so on and so forth. The only teenagers I don’t like are cheerleaders, which I have tried to get over so I could like Claire of save the cheerleader, save the world fame.

And that, of course, is all part of Ariel’s message in the end: just be your own quirky self, gravy stains on your T-shirt and all.

Yeah, so I guess I won’t be going the way of radical revolutionary anytime soon. But I am becoming a publisher, or rather, I have become a publisher, and I hope to venture into the world of ezines and zines in the next couple of months, and in the meantime, I keep writing my stuff for publication in traditional formats.

It’s all part of feeding the beast.

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(No title)

madison-wisconsinsmall.jpgThis weekend, I had three appearances at the Wisconsin Book Festival in Madison. Here I am, appearing on a panel with (from left to right) Marlene Kim Connor Lynch of Connor Literary Agency, Nichole Shields of Connor Literary Agency, Marcela Landres (editorial consultant), Jessica Powers of Catalyst Book Press, and Ken Waldman, Alaska’s Fiddling Poet and author of Are You Famous? Touring America With Alaska’s Fiddling Poet, published by Catalyst Book Press.

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hardback vs. paperback

I am a lurker on a religious writer’s blog (a religous writer totally ensconsed in evangelical culture) and I’ve been sort of interested in how often he and his wife mention that he’s coming out with his first “hardback” book. (Yes, I even go to his wife’s blog, that’s how obsessed I am. I guess it’s because sometimes I realize that this could have been me given my own engagement in evangelical culture at one point in time and even while I’m glad it’s not me, I also can’t help but check it out, perhaps because I’m a mean ol’ bastard for feeling superior, or perhaps because I’m a little nostalgic and envious that he could make it in that world while I couldn’t, or maybe because I’m grateful to see somebody engaging with the culture from the inside and grappling with all its problems, and maybe also I’m grateful realizing that, but for the grace of God, there goeth I. Probably I read him for all those reasons and more.  Obviously, he and his wife say some interesting things.)

I never realized that the “hardback” book was such a big deal. It never even occurred to me to care about the fact that The Confessional is hardback. I worked at Cinco Puntos Press and we printed both hardback and paperback as first runs and even then, I never even thought about whether one was more “real” than the other, or more superior. But guess what? My post about hardback vs. paperback on Catalyst’s blog is accessed more than any other posting, except for the cover of Killing Trout and Other Love Poems, which also features a naked lady on the cover. (By the way, Trout Fishing is a paperback book! But I guess naked ladies on the cover trump hardbacks anyway….)

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The Problem With Professionalization

I posted this on Catalyst Book Press’s blog but thought it appropriate for this one as well.  

I’ve been thinking a lot lately about the problems with professionalization or the problems that institutionalization brings to professions. Although I’ve been thinking about this problem for several years, it has really come to the forefront of my mind because I’m teaching a class on Health & Healing in Sub-Saharan Africa at Stanford this spring. The first week of school, I had my students read an essay by Steve Feierman and an excerpt from a book by John M. Janzen. Both scholars touch on the medical “pluralism” that exists in African today: though colonial states and missionaries brought biomedical health systems to the continent, they never replaced indigenous healing systems. Today, Africans (educated and uneducated, Christian or Muslim or other) access both systems for different illnesses, recognizing the legitimacy of both systems. Some of my students really struggled with this, inherently believing that biomedicine is superior because it’s based on empirical evidence. Both Feierman and Janzen attempt to disprove this assumption, arguing that indigenous healing systems are also based on empirical evidence and long periods of testing different treatments. They also point out that just as indigenous health systems offer cures that are based outside of this western scientific paradigm, western science is also based on unexamined assumptions that sometimes limit its effectiveness or its ability to recognize the validity of certain cures because they are untestable or outside the system. Healing, Feierman pointed out, is mysterious. Read More

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Being a writer AND a publisher

I got an email from Lee Byrd at Cinco Puntos Press today, telling me that Bobby always said he shot himself in one foot when he decided to become a poet and shot himself in the other foot when he decided to become a publisher. Then she said, “Well, you already know what it’s like not to be able to walk.” (She’s referring to the 3 months I spent in a wheelchair post-getting-hit-by-a-truck-twice while I was trying to cross a busy intersection.)

This is what scares me MOST about this new venture. The last two years in the Ph.D. program, it’s been hard hard hard to do both. I readily admit it. I am miserable, trying to do both at the same time. When I’m just writing, I’m fine. When I’m just doing the Ph.D., I’m fine (well, not fine, exactly, because I’m miserable when I’m not writing but it’s not as stressful as trying to do both at the same time.) My adviser, who has always been incredibly supportive, has told me just this: You can do both, he has said several times, but you probably can’t do both at exactly the same time. He might have used the word “sequencing.”

And now I’m publishing books. Am I crazy?

Yes, somebody shoot me now.

But this is precisely why I’m a) going to keep the number of books I publish small, very small and b) not follow the traditional publishing format.  Tons more on that at the press’s blog, of course, in coming weeks. And here.

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