The Confessional


Livermore Public Library Event

I’ll be celebrating 2 1/2 years of The Confessional’s release at the Livermore Public Library on Saturday, December 12, from 1-2:30 p.m. Come talk about immigration & border issues, school violence, and racial tension among today’s teens. Everybody’s invited and the event is free.The Confessional cover

Two guys. Classmates, enemies. Each reacts to the other on impact–knows just where to jab, then twist the verbal knife.

Big Fight. Friends and Enemies all on hand to watch and take sides. One ends up in the hospital with a broken arm and a fractured ego. Hours later, the other ends up dead.

And in the reverb, seven guys are forced to face who they, and their friends, really are.

After all, everybody’s guilty of something, right?

“Powers’s first novel powerfully combines timely story lines regarding illegal immigration, school violence, and racial tension….The structure Powers builds is ambitious, and she manipulates it for maximum surprise.” — Publisher’s Weekly, starred review

“Powers confronts issues of anti-immigrant prejudice and antiterrorist hysteria with brutal honesty, describing a world not often depicted in literature for young people.” –The Bulletin of the Center for Children’s Books

“Readers…will appreciate Powers’s approach to the psychology of school violence, and fans of books with multiple narrators will be fascinated by the differences in each character’s experience of the same event.” –Voice of Youth Advocates

“The six distinct voices used to examine the tension between adopted country and ethnic pride rarely falter; the fast pace of events ensure the narrative remains compelling. Convincing friendships and feuds create a sense of the long-standing relationships between classmates and reflect the transitive nature of the high-school social structure.” –Kirkus Reviews

“Teens will see themselves in these realistic characters, each struggling with unique challenges….The residual effects of religion, immigration, and dysfunctional fathers crowd these boys’ minds….These characters will reach mature teens eager to hear their own preoccupations echoed and, perhaps, clarified. They might also notice how this distinctly modern vision of adolescence morphs silkily into a clever noir adaptation….Murder, mystery, and detection pulse through this complex book, keeping readers feverishly wondering who done it and why.” –School Library Journal

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Paperbacks v. Hardbacks

Knopf brought The Confessional out in paperback last January, but until today, I hadn’t seen a copy. I still had enough of the hardbacks lying around that I didn’t feel a need to have the paperbacks on hand. I wanted to see them, sure, but until recently, ordering copies was at the bottom of my list of things to do . But because I’m leaving for South Africa soon and will be staying with a lot of different families, I wanted something light to pack to give as gifts. (Okay, sure, maybe that’s egotistical, to give your own book as a gift. On the other hand, if I had a writer staying with me, a copy of their book is what I’d prefer to chocolates or a trinket from San Francisco….) So I ordered fifty copies and they arrived today. I think I was expecting that it would be the same size as the hardback, just with a paper cover. But no, it is that really tiny paperback size, the same size as paperback detective novels or cheap romances. It was fun to see how compact it is compared to the hardback–in fact, it was almost as exciting as seeing the hardback in my hands the first time around.

So if you’ve been wanting to order a copy but couldn’t afford the $17  for the hardback, you can order the paperback for only $7. (I think it’s even cheaper than that on Amazon.) Or if you just want to help a struggling writer by boosting her sales record, that would be great too….

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Facing Two Worlds: Growing Up On La Frontera

Here is the text of the speech I gave at REFORMA’s national conference last weekend, for those who are interested.

When I was a teenager growing up in El Paso, I was a voracious reader, consuming on average a book every day, most of them young adult novels. In all those young adult novels I consumed, I only encountered the world I was growing up in once, in a suspense novel by Lois Duncan. In the novel, a teenager’s sudden and mysterious death in Albuquerque draws his sister into a world of danger. To fulfill one of her brother’s debts, she ends up smuggling drugs across the El Paso/Juarez border. Okay, so….the world portrayed in that novel was not EXACTLY my world, my border, since I never encountered the harsh world of drug smuggling. But it was the closest I ever came to seeing my world in a book as a teenager. And it made it seem–well, exciting. Different.

My parents rather unusually chose not to live in the neighborhoods where other professionals gravitated. Read More

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hardback vs. paperback

I am a lurker on a religious writer’s blog (a religous writer totally ensconsed in evangelical culture) and I’ve been sort of interested in how often he and his wife mention that he’s coming out with his first “hardback” book. (Yes, I even go to his wife’s blog, that’s how obsessed I am. I guess it’s because sometimes I realize that this could have been me given my own engagement in evangelical culture at one point in time and even while I’m glad it’s not me, I also can’t help but check it out, perhaps because I’m a mean ol’ bastard for feeling superior, or perhaps because I’m a little nostalgic and envious that he could make it in that world while I couldn’t, or maybe because I’m grateful to see somebody engaging with the culture from the inside and grappling with all its problems, and maybe also I’m grateful realizing that, but for the grace of God, there goeth I. Probably I read him for all those reasons and more.  Obviously, he and his wife say some interesting things.)

I never realized that the “hardback” book was such a big deal. It never even occurred to me to care about the fact that The Confessional is hardback. I worked at Cinco Puntos Press and we printed both hardback and paperback as first runs and even then, I never even thought about whether one was more “real” than the other, or more superior. But guess what? My post about hardback vs. paperback on Catalyst’s blog is accessed more than any other posting, except for the cover of Killing Trout and Other Love Poems, which also features a naked lady on the cover. (By the way, Trout Fishing is a paperback book! But I guess naked ladies on the cover trump hardbacks anyway….)

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The Confessional on Important NYC List

I’m pleased to report that The Confessional is getting some accolades. My editor at Knopf writes, “Those smart librarians at the NYPL have selected THE CONFESSIONAL to be included on the New York Public Library Books for the Teen Age 2008 list!  Now in its 79th year of publication, this group selects what they deem to be the best of the the previous year’s publishing for teenagers 12 to 18-years-old.  The list will be printed in a booklet that will be available at all the city’s public libraries, and mailed out to area educators.  Congratulations, Jessica!”

Yay!

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A lot of random thoughts

As I was driving to Stanford Library today to check out Birth: The Surprising History of How We Are Born by Tina Cassidy, I started reflecting on the relative success of The Confessional. It’s always hard when you are not as successful as some other first-time authors or as successful as you want to be (who is ever as successful as they want to be or think they deserve anyway?) You go around wondering whether you should have done this or you should have done that and it can drive you crazy. At least, it drives this guilt-complex-laden woman crazy! And actually, the book has gotten great reviews but somehow I think it should be making millions and be made into a movie and launch me to Michael-Crighton-level of fame.

So as I was thinking all of this, I thought about how many friends I’ve had who have started bands that failed, only to go on to create other bands with different names but often the same members that are more successful than the first band. Or maybe the band didn’t fail but the band members couldn’t get along so they broke up. Or one member left and the band got a new singer or a new guitarist. You can’t really do that as a writer. Sure, you can write under a nom de plume and if I ever got so hungy that I needed to write romance novels to survive, I guess I’d figure out a sexy nom de plume pretty damn quick. But otherwise, I’m pretty attached to my name–successful or not (and of course, success is always a relative thing, defined by the culture in which we live.) But still, I wonder if it would be wise to use a different name for the different sub-categories of writing you’re interested in? For example, I’m J.L. Powers as a teen writer. But what about the adult writing I do and want to do, the nonfiction, the history, the anthologies about birth and adoption and things like that? Should I use all one name or should I do what Jim Ward has done, which is play one kind of music under Sparta and play  another kind of music under just Jim Ward? Read More

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California Readers

The organization California Readers just posted an interview with yours truly. You can read it here.

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Inkblotter blog tells all

I didn’t know The King’s English Bookstore in Salt Lake City had a blog but they do, but they did a great posting for my recent visit which, of course (if you know me), was awash in sex, scandal, and greed. :-) Ha! Okay, I’m not that controversial. But I guess The Confessional is…

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Anxiety dream

I had my first ever writer’s anxiety dream last night. I was set to speak at what I thought was a librarian’s house, although her house turned out to be this old abandoned warehouse plus old falling-down house, the kind of scene you might expect Hostel II or Saw V to be filmed at. The kind of place that, in most dreams, I’d be invited to “speak” for a crowd, then slowly dismembered while the audience cheered. Read More

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School Library Journal gets it

This review will appear in the December 2007 issue of School Library Journal :
POWERS, J. L. The Confessional. 294p. CIP. Knopf/Borzoi. 2007. Tr $16.99. ISBN 978-0-375-83872-9; PLB $19.99. ISBN 978-0-375-93872-6. LC 2006024253.

Gr 10 Up–When their friend Mac is murdered, seven confused, angry Catholic school classmates seek answers in El Paso, TX, a town defined by boundaries, cultural tensions, and strict allegiances. In looking for the killer, the boys end up embodying Mac himself, who questioned everything: God, his own uncontrollable rage, terrorism, and the volatile relationships between Mexicans and Americans. Powers delves deeply into the psyche of each of the boys, who narrate chapters and fuel the book’s momentum. Teens will see themselves in these realistic characters, each struggling with unique challenges. Isaiah tries to make peace in the wars raging in his home and school; Greg looks for someone to pay for his best friend’s death; Josh uses drugs to muddle his memory; Dan desperately hides his homosexuality from his best buddy; Alex, the invisible outsider, plays detective; and Jim Hall wrestles unfathomable demons. Through them, readers confront the complicated inner worlds of young people today. The residual effects of religion, immigration, and dysfunctional fathers crowd these boys’ minds. Although their language sometimes seems improbably elevated, these characters will reach mature teens eager to hear their own preoccupations echoed and, perhaps, clarified. They might also notice how this distinctly modern vision of adolescence morphs silkily into a clever noir adaptation. As Alex makes rounds visiting suspects, he slips into the clipped speech and hawkish manner of a fedora-wearing private eye. Murder, mystery, and detection pulse through this complex book, keeping readers feverishly wondering who done it and why. –Shelley Huntington, New York Public Library

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