women


Juggling a Kid on a Hip at a Snooty Literary Conference and thank God for good friends and for family

This past weekend, I went to AWP in Chicago. I took my 17-month-old son with me. He amused and, perhaps, annoyed people on the plane, on the train, and in taxis with his insistent “HI!” and “BYE!” repeated many times over. He likes to look over the back of the airplane seat and blow bubbles at the people sitting behind us. In airports, he insists on walking by himself (the stroller is at least useful for wheeling around the luggage, diaper bag, and jackets) and he doesn’t want to hold my hand, either, so this trip, I made him wear a little doggy backpack with a tail that functioned as a leash. He doesn’t want to sit around in the hotel coffee shop talking to my friends, certainly won’t let me sit through any panels, and would rather ride up and down the escalators at the hotel where the conference was held. During lunch, he amused some of the staid and academic writers by discovering the joys of ice. (Actually my friend Denise popped an icecube in his mouth and I about had a heart attack wondering if he could choke on it before I decided to relax.) He banged the table and smiled winningly at the man sitting across from us as icy water dribbled down his chin and pooled all over the table in front of him.

Starting at 3 months, my son has gone with me all over the country to library and literary conferences. I’ve felt like it was important not to let the fact that I was the mother of  a baby interfere with my professional writing career. And if anybody faults me for bringing a baby along, I thought, screw ‘em. Most people love babies so it worked out just fine while he was very young, and I took care not to let him be fussy in the wrong place at the wrong time. The screw ‘em thought didn’t keep me from being very conscious not to let him interfere with other people’s ability to work or to listen or to enjoy what they had come for.

Nevertheless, starting at 7 months, it was clear that although I still needed to bring him with me on trips, I needed childcare while I was doing my writerly things. So the real reason it’s worked is because there are some really good people in my life.  My in-laws drove to Tucson to watch Nesta for me when he was five months old. In New York, my husband’s cousin watched my son and her baby in my hotel room while I signed books at the BEA. In New Orleans, my good friend Holly drove down from Alabama and took Nesta all over the French Quarter or swimming while I signed books and gave a short talk at a breakfast that my publishers had arranged for me. At a booksigning in Austin, a friend Lindsey held him for me while he slept. At a booksigning in Grand Coteau, Louisiana, a friend Jason took him outside into the sweltering Louisiana night while I read and talked and chatted with the people who came. Jason sang him to sleep until the mosquitoes came out. My mother flew out to Chicago for an entire week of babysitting while I sat on panels, gave talks, and signed books. And this past week in Chicago, my friend Ann watched Nesta while I read on a panel. No, I didn’t go to any other panels this particular trip but I was grateful for the time I was given. It was enough.

I’m probably forgetting somebody somewhere who helped me, but I certainly wouldn’t want to forget mentioning how fabulous my publishers have been about letting me bring my son along to all my publicity events. (Remember this, moms, when arranging your book deals! How friendly is your publisher to the fact that you aren’t a single entity but there are some small people literally attached to your hip?)

Being a writer seems like such a solitary act. We sit in front of the computer alone. We work with words and characters and plots and rhyme and language and metaphor and symbol all alone. We think and we walk and we observe and we bumble our way through the tensions of relationships and people and our mixed desires and our fears and, for the most part, as writers, we do it alone.

Except we aren’t alone and we should never forget that.

The truth is–and I think this is true for all writers, not just writing moms–I wouldn’t be able to write at all if it weren’t for the good support system I have, starting with the most important person of all, my husband, but then continuting to all the people who, in big and small ways, do the necessary things to make it all possible. That includes my agent and editors and publicists. But it also really really really includes my friends and family. Most of my support system isn’t local. It would be so nice to be able to pop on over to my mom’s and leave Nesta for the day so I could write without paying for childcare. But the good part of that support system not being local has come in handy this past year when I travelled all over the country and people came to my rescue.

A big Texas-sized thank you to all the many people who have supported me and my writing, not just since my son was born but for the last fifteen years. I couldn’t do it without you.

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Identity, Babies, and Writing

Ever since I became a mother, I’ve been referring to myself in the third person. “Mommy loves you,” I tell Nesta, or “You can’t bite Mommy!” even as I think, How weird. It’s like “I” don’t exist. Only “mommy” exists. And who the hell is she?

There is a certain amount of truth to the thought that “I” ceased to exist when “Mommy” came into being. Your identity collapses for your child into one thing, and that happens a little bit for yourself as well, at least for awhile. Humans spend time with the things, events, people, and activities that define them, that make up their identity, and a new mother spends more time with her child than she does anything else. Or at least, this new mother does. (Here I go again, referring to myself in the third person.) In the past 10 1/2 months since my son was born, I’ve probably spent an average of twelve to thirteen hours a day with him. This is more time than I think I’ve spent with anybody else, ever, except my own mother. Naturally, my identity at the moment reeks of motherhood, is saturated with the daily grind of it, soaked in those juices.

Who am I now? How did I get here? And will I ever be able to get my creative life back?

My blog and my writing life have suffered the most. Bill-paying work always gets done because it has to. The writing that does get done is mostly because of deadlines and public appearances, not because it brings in a lot of money. It’s been hard to work on my next book. I feel a little lost, swimming around in this sea of nursing, diapers, and lack of sleep. Though I didn’t exactly get what many people might refer to as “mommy brain,” I have discovered that I have very little patience for some things that absorbed me in the past, and my conversation is dominated by parenting talk, a trend I hope will pass as my baby grows and I have more freedom to become the “old” Jessica again. Or, not exactly the “old” Jessica, but a new (and certainly improved) Jessica.  

I am making a commitment to try blogging here again regularly, that is, once a week. So I hope you’ll drop by and spend some time with me as I muddle my way through this new period where my identity as wife, mother, writer, teacher, and editor/publicist are being shuffled around and re-mixed. Not entirely sure what will come of the re-mix but I know it’ll be an interesting process. Thanks for being here for the ride!

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This Thing Called the Future Kirkus Book Review, April 15, 2011

This Thing Called the Future by J.L. Powers

Set in an impoverished South African shantytown where post-Apartheid freedom is overshadowed by rampant AIDS and intractable poverty, this novel takes a loving, clear-eyed look at the clash of old and new through the experience of one appealing teenager. Khosi, 14, lives in an all-female household with her sister, Zi, and frail grandmother, Gogo, subsisting on Gogo’s pension and Mama’s salary as a teacher in the city (she comes home on weekends). Everyone in Khosi’s world is poor. Where the struggle to survive is all-consuming, family loyalty trumps community. Clashes between Zulu customs and contemporary values further erode cultural ties and divide families. A scholarship student, Khosi loves science, but getting to school means dodging gangs and rapists hunting AIDS-free virgins. After a witch curses Khosi’s family and Mama falls ill, Khosi and Gogo seek aid from a traditional Zulu healer, which Mama dismisses as superstition while fear and poverty keep her from accessing modern medicine. As stresses mount, Khosi’s ancestors speak, offering her guidance. Supported by them, her family and classmate Little Man, Khosi vows to create a better future by synthesizing old and new ways, yet the obstacles she faces—some inherited, others newly acquired—are staggering. A compassionate and moving window on a harsh world. (glossary of Zulu words) (Paranormal fiction. 12 & up)

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Interview at Through the Tollbooth

Read an interview with J.L. Powers at Through the Tollbooth!

Q: What about this novel makes you most proud?

There is absolutely nothing on the market like it! It is young adult magical realism, set in a poverty-stricken township of South Africa. It is a love story but it also deals with the clash between science and traditional medicine in Africa, and it highlights and focuses on the HIV-AIDS epidemic in the part of the world with the highest rate of HIV infections—the heart of the epidemic.

 Read more…

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Book Trailer!! This Thing Called the Future

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Working Moms in a Post-Feminist World

Because I am a new mother working at home with limited childcare, I have been thinking lately how I have no models for how to do this in a healthy and productive manner—healthy for my relationship with my 5-month-old son, productive for my work and my career.

 Growing up in the church, I knew very few married women who worked, period. Those who did were usually not professionals, and there was this vague sense that floated from and towards them that they had to work because their husbands didn’t make enough money. I might add that their children were not the best behaved on the block, which added to the sense that their situation was less than ideal. Among the professional women I knew, one was a physical therapist whose husband had lupus; I had the impression that, once again, she was in a situation where she needed to be the breadwinner because her husband could not and this is what made it acceptable.

 My mother is a writer, and she did write a weekly parenting column while I was growing up. But we didn’t rely on her income (I think it paid the princely sum of something like $25 a week), she was able to write her column on Thursday afternoons so she wasn’t trying to put in more than two or three hours of work a week, and her stay-at-home mom-ness contributed 100% to her ability to write the column.

 I grew up feeling rebellious—like I was a bad Christian girl—because I knew I didn’t want to be a stay-at-home mom. I wanted a career, as a writer, and I wanted it to be a successful career—with multiple books published and magazine articles and long essays and lots of short stories. For a long time, I thought I wouldn’t have children because I wasn’t sure how I would manage both.

 Though I think there are more professional and non-professional women in the church who work these days than there were when I was growing up (it is hard, sometimes impossible, to make it on one income these days), I know some of those women feel judged. My sister-in-law, for example, mentioned a melt-down she had in church one day when a man pompously informed her that God expected her to stay at home with her children. I’ve known since I was a little girl that I was supposed to be a nurse, she told him. I feel called by God to be a nurse. And I am a very good mother. So just shut up.  

 But among all the women I know, I personally know exactly one other woman doing what I’m doing: work at home with limited childcare. (I have someone come in six hours a week to babysit. This lets me make business phone calls without interruption.) The limited childcare is due to two things: one, I don’t really want to put my baby in childcare; two, we can’t afford it anyway. The working is due to two things: one, I love my job(s) as writer, teacher, and editor/publicist; two, we need my income anyway.

 I was talking with a friend of mine yesterday and she mentioned that the feminist revolution betrayed us. “It told us that we could have it all,” she said. “But what that really means is that you have to have a career, and you have to put your children in daycare. There are very few jobs that allow you to work and have your children with you.”

 That is so true. I had the fortune to jump on the online teaching bandwagon early, which means I have more experience teaching online than just about any professor I ever meet. And it allowed me flexibility for my writing career long before my baby was born. Now that I’m a mother, my dean, thankfully, doesn’t care that I have a child at home while I work—as long as I am still an excellent teacher and do what I’m supposed to do in a timely fashion.

 I am lucky, too, that my publisher welcomes both me and my baby when I go to publicity events and book signings. I had Nesta lying in a stroller or I was holding him throughout the American Library Association’s mid-winter conference. As I talked to librarians outside of Cinco Puntos Press’s booth, I gently rocked him to keep him happy. And guess what? Those librarians love babies. He is my best marketing tool, hands down. But I know I’m lucky. Not all publishers would be so welcoming or so understanding.

 But it’s hard. I need to be putting in more hours than I currently am, especially writing. It is easy to be interrupted from grading papers or writing a press release. It is not so easy to revise my current novel when I’m interrupted so often.

 Still, I would like a few models of women who manage successfully to work at home and keep their child out of daycare. I know you guys are out there. Please share your stories, your tips, your best practices! And especially for those mother writers out there—I need to hear how you’ve done it, and how you’ve balanced the appropriate time with your children and the appropriate time doing work, and how you’ve learned to write while being interrupted.

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Dogs, Disease, Poisons, Potions, South Africa, and my new novel!

I feed my dogs first thing each morning, otherwise, life would be miserable for all of us. Then I try–*try* being the operative word here—to make them wait until 4:30 before I feed them again.

 Around 3:30, they start pushing their noses into my hands to interrupt my typing. “C’mon, we’re hungry!” Petting doesn’t satiate their voracious appetite. Telling them, “It’s not time yet,” doesn’t work either (no matter how exasperated I feel!). Their noses get ever more insistent. “C’mon, Jessica, we are not playin’ around!”

 That’s a little bit how I feel as I wait for my second novel, This Thing Called the Future, to be released on May 1. I feel like I’ve been waiting a looooooooong time for this one to come out!

 I started writing This Thing Called the Future in the summer of 2007, just after my first y.a. novel, The Confessional, was released. I’d taken a leave of absence from my Ph.D. program in African History at Stanford to promote the book and I was already thinking I wouldn’t go back. The scariest thing about leaving the Ph.D. program was the realization that it meant saying goodbye to my easy access to South Africa. Stanford was paying for my Zulu language study…summer travel…etc. But I was miserable trying to be both an academic and a writer and I knew I had to make a choice.

 So I left the Ph.D. program and I started writing this book. It was a way of feeding my voracious appetite for all things South African. And it was one of those books you feel like you *have* to write, anyway. I’d felt that way ever since the day my two Zulu sisters—thirteen and fourteen years old—crawled onto my bed one night before I went to sleep and giggled out stories of sugar daddies and secret boyfriends, men in their thirties.

 “How do you meet these men?” I asked. All I’d ever seen was two very responsible young women, largely in charge of the household because Mama worked in another city as a teacher and only came home on the weekends. Gogo, the grandmother, was the adult in charge but she was tired and slow, with weak knees and swollen ankles.

 They eyed each other. Then the13-year-old volunteered, “We sneak out to go to parities sometimes.” 

 “We are the V.I.P.’s at those parties,” my 14-year-old sister said.

 “Does Gogo know?”

 “No! Well…She caught me kissing my boyfriend at church last Sunday,” the 13-year-old said. “So I’m not allowed to go to church by myself anymore.”

 “Are you guys, like, protecting yourselves?” This was my vague question, unsure how, exactly, to broach the topic of condoms or abstinence with girls so young, possibly having sex with men so old. And I was a guest in their home. I was pretty sure Gogo wouldn’t be pleased if I took the liberty to provide sex education, American-style.

 Yet I was worried. The official HIV-positive rate is 30% among Zulu women ages 15-35. (Not to mention, it’s never good when a 13-year-old is dating a man in his 30s, certainly a case for the police in the U.S.)

 So that sparked the novel I started to write in the summer of 2007. What would it be like, I asked myself, to be 14 and to start liking the opposite sex when HIV is running rampant in the community and people you know—close people, members of your family—are dying? Would you become afraid of love? What would your attitude towards sex be? What would you think of the older men seeking your attention? Would you find it flattering or scary?

 Meanwhile, I was following this sexy little thread of research I’d uncovered—news reports about the killings of suspected witches all over South Africa in the late 90s and early 2000s. Why were so many people killing witches? Were these so-called witches actually practicing witchcraft or were they entirely innocent? And what did witchcraft mean in South Africa anyway, especially to this imagined young woman of 14 years old? Scholar Adam Ashforth described modern South Africans as experiencing a great deal of “spiritual insecurity” and the killings of suspected witches is only one example of it.

 I soon discovered that practicing witchcraft in an African context looks only a little different than the western concept of a woman chanting hexes over a cauldron at midnight in a deserted forest. A Zulu who practices witchcraft is actually trying to send illness or death to a neighbor or family member.  Usually, they purchase a poison or potion, which they then sprinkle in somebody’s yard or give to them in their food. The curse can bring all sorts of bad luck and/or illness. People told me that many of these illnesses mimic Western diseases—hypertension, for example, or arthritis, or some kind of STD—but they can’t be cured with Western medicine. That is how you know it is witchcraft.

 In the context of HIV-AIDS, when enormous numbers of young people are dropping dead from terrible diseases, the temptation to attribute it to witchcraft is enormous. But most South Africans understand HIV as a virus, communicated through the transmission of blood or bodily fluids. Writer Jonny Steinberg has suggested that Africans have readily accepted the biological explanation; to believe it is caused by witchcraft is too terrible for most people to contemplate. The epidemic is so widespread that if it was witchcraft, it would mean possibly hundreds of thousands of neighbors and family members engaging in wholesale murder—and the insecurity that would engender would be too terrible to imagine.

 I was curious to explore all these threads—the young woman falling in love, surrounded by people dying of AIDS, living in a community experiencing great spiritual insecurity. And it took me years to layer it all into one cohesive novel, one that depicts the realistic and magical and loving and scary world that a young urban Zulu girl occupies in 2011.

 Here it is….3 ½ years later, on the cusp of being released to the reading public and my friends and my family. It’s a nerve-racking and exciting business.

 I can’t wait until May 1 when it’s available. Which is why I’ll be releasing an excerpt next month on my website, a little snack of what’s to come.

Back to the dogs:  Yesterday, I fed them at 3:45. When they started bugging me, I thought, “What the hell? Why make ‘em wait when they don’t have to?”

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J.L. Powers interview on This Thing Called the Future

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Prayer for my…advance review copies

Advance review copies of This Thing Called the Future went out today and my publisher sent me a link to a YouTube video of Urban Dance Squad singing “Prayer for my Demo” at a 1990 concert….

Here it is: Urban Dance Squad-\”Prayer for my Demo\”

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Writing, Adoption, and the Mystery of Birth Mothers

Over on The Fertile Source, I’ve just published Terri Elders’s short essay, “Dreaming as the Summers Die,” about her childhood longing to know about her birth mother, a longing that has sustained her throughout her adulthood as she considers the mystery of the woman who gave her birth.  Here, I interview Terri on her thoughts about writing, adoption, and her ongoing curiosity about her birth mother.

 Terri, your essay is a profoundly moving piece about your childhood curiosity, fear, wonder, and pain over your relationship with your “real” (that is, birth) mother vs. the mother who adopted you. What led you to write this piece?

 I write true stories for anthologies and I saw a callout for stories about adoptions from Chicken Soup for the Soul, and submitted it. It was not selected for that volume on adoptions. I later sent it to Cup of Comfort for consideration. It was not selected, but another story was, “Magic and Miracles,” about the actual day my sister and I went to court for our adoption.

Did writing it dredge up old memories or did it feel healing to consider this issue through art?

I always find it healing to write about relationships and experiences. I’ve been writing since I was a child.


Towards the end of your essay you mention that your master’s degree helped you understand adoptees’ need to seek out their birth mothers, their need for answers. What is that need? What do you think birth mothers can do to help meet that need? What do you think adoptive parents can do to help meet that need?

When I was at UCLA getting my MSW, Los Angeles County Adoptions was my first year field placement. The emphasis was on the child needing a home, the adoptive family needing to parent and the birth mother unable or unwilling to provide for an infant or child. I did some research on adult children seeking connection, and talked with birth mothers seeking to connect with adult children. Because I actually knew my birth mother, having been adopted by relatives, my case was a little different. That she’d disappeared and nobody knew what happened to her, is what made it all such a mystery. Later my older sister disappeared for nearly 30 years, compounding the mystery for me. Later I learned that she had several more children and grandchildren…I felt devastated. I still write about our childhood experiences together, but have not had an adult relationship with her. We exchange cards and gifts on holidays, but I’ve seen her once in 50 years. When people drop out of your life unexpectedly, it complicates the grieving process. Sometimes I think it’s easier to accept a death than it is to accept a disappearance. It’s that not knowing that’s so haunting. Adoptive parents can understand that some adult children wanting answers may be an innate need to solve a puzzle.
In your seventies now, do you feel like you have found peace with this issue that has haunted you over a lifetime—who was your mother and what part of her is part of you?

I’ve been trying to find peace with all the tangled relationships…writing about them always helps. My late husband died without forgiving his own mother, and a few others that he had felt crossed him in some way, and though he claimed he had no regrets about not forgiving, I suspect he did.

What are you currently working on (artistically)?

I’m working on a piece about forgiveness. I’m thinking of calling it “Forgiving Charles Dickens.” There’s two meanings to that title. I just returned from the University of Cambridge International Summer School, where I studied Victorian history and literature. I have a lot of stories to write from that experience, and one is about Charles Dickens and his inability to ever forgive his mother for trying to return him to the blacking factory where he worked while his father was in debtors prison, and how I think that impacted his future relationships with woman, and how he portrayed women in his novels.

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